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Brahms: Piano Quartets ... and an early work by Mahler

Between September and October 1861 completed his first two Brahms quartets for piano and strings. The first quartet, which on 16 November, Clara Schumann at the piano was first performed in Hamburg, begins with a three topics in a free form existing Allegro, followed by an interlude that seems to belong to the mysterious world of night. The slow movement, and wide-song remains "robust, even heroic, almost orchestral" (FR Fort tranche) in expression, and a Rondo alla Zingarese "which inspired Joseph Joachim, the work ended with his eloquent rhythm. If the first quartet immediately been successful, it is not true for the second, some found a bit boring. The shadow of Haydn and Schubert permeate this work, the Poco adagio, as Joachim said, ambiguous emotions carries within itself. As with the previous quartet, it does - with less distinctive rhythm - with a Rondo in the Hungarian style.
outlined in 1856 and several times revised third quartet for piano and strings was completed in 1875 and premiered in February 1876 with the composer at the piano. This dense and dark piece that was so long in the works, emerged from the passionate and unhappy love, combined with the Brahms, Clara Schumann. Brahms is said to have entrusted a friend with the composition of the first set he was thinking of a man who as a last way out of his despair only, looks to be a bullet through his head. Dark and mysterious, the scherzo is a beautiful Andante, where the cello sings a long phrase full of tenderness, and a final Poco allegretto with variations above.




Johannes Brahms, Photography, Visit formats, sl, 1853, 6.3 x 10.3 cm, image size: 5.7 x 9.0 cm Source: Brahms at the Art Institute of Applied Sciences Lübeck, Digital Archive. 1876, beginning his studies at the Vienna Conservatory, Mahler began, then sixteen years old, with the composition a quartet for piano and strings, which he outlined just completed a sentence and the first bars of the Scherzo. As a young musician with little experience, the Hall found his own style yet, but already proved his talent, he created an elegiac piece that contains episodes of happy, which can detect a touch of expressionism.


Source: Adelaide de Place, in the booklet (Translation: Anne Weber)


Other interesting articles are available on the website of the Altenberg Trio Wien eg Brahms: comment for the 2 Piano Quartet
-
comment on 3 Piano quartet (both by Claus-Christian Schuster). more links to Johannes Brahms I have published on the occasion of his string sextets.



TRACKLIST

 
 CD l 76.25  
 Johannes Brahms Piano Quartet 
 1833-1897 
 
 No.l in G minor / G minor / in G minor, Op.25 
 
 1 I Allegro 14:18 2 
 Intermezzo II. Allegro (ma non troppo) 8.49  3 III Andante con moto 10:18 4 IV Rondo alla 
 Zingarese. Presto 8:35 
 
 
 
 Piano Quartet No.3 in C minor / C minor / s ut mineur, op.60 
  5 I Allegro non troppo 11:14 6 
  II Scherzo. Allegro 4:23 Andante 9:31 7 III 
 
  8 IV Finale. Allegro 9:11 comfortable  
 
 
 2 CD 60.36 
 
  1833-1897 Johannes Brahms Piano Quartet No.2 in A major / A-dur / en la majeur, op.26 
 
 
 1 I Allegro non troppo 16:32 2 II 
 Poco adagio 11:43  3 III Scherzo: Poco allegro 10:54 
 4 IV Finale: Allegro 10:04 
 
 
 Gustav Mahler 1860-1911 
 
  5 Piano Quartet Movement 
 11.18 
 
  Domus 
 Krysia Osostowicz - violin 
 Timothy Boulton - viola 
 Richard Lester - cello Susan Tomes 
 - piano Recording 
 
 
 St Barnabas Church, Woodside Park, London, 
 VII.1987 & Producer Andrew Keener IV.1988 
 
 Balance engineer Mike Hatch 
 Cover image: The Henry Sidaner: "Sunday", detail, Musee de Douai 
 ® & ® 1988 This compilation: © 1999 
 DDD 
 
 
 
 

Henri Le Sidaner (1862-1939): "Sunday", detail, Musee de Douai OWN, SILENT MAGIC

known during his lifetime, but then forget the Chemnitz Art Gallery celebrating the rediscovery of the painter Henri Le Sidaner.

During his lifetime, the French painter Henri Le Sidaner was popular. Marcel Proust does in his epic novel "In Search of Lost Time" discuss guests of a hotel on the current art. While holding a Madame Claude Monet Legrandin for "a genius," insists a "famous lawyer from ennobled family" on it: "You will permit me however, it is preferable Le Sidaner yet." Not even so much
Mention is Sidaner Le (1862 to 1939) most art historians today value. Hardly any band on Impressionism and Symbolism - Le Sidaner was similar in both art forms at home - mentioned his name or show his works. Wrongly, as curator Karin Sagner of the Kunstsammlungen Chemnitz says. "Le Sidaner the-air painting of impressionism extended by a magical-poetic aspect, and was also close to the symbolism," she writes in the catalog of the exhibition, which will relieve the great unknown of Impressionism from the darkness of the past.




Henri Le Sidaner: Le Table de Pierre Gerberoy, 1920 Henri Le Sidaner in 1862 in Mauritius born. He studied from 1882 for a short time at the Paris École Nationale des Beaux-Arts. It was the first of Impressionism, which fascinated him, so he joined in the 1890s, the Symbolists. Both directions are in his pictures into a coherent, highly personal synthesis.
His paintings of sun-drenched gardens, splendid cathedrals or the glare of Venice him as an excellent representative of Impressionist painting. But a true revelation, the quiet, in muted colors, the views of deserted houses, the quiet man SHEETS - Le Sidaner art unfolds as a unique silent magic.



Source:
Petra Bosetti, "A separate, quiet magic," Art in the Art Magazine. 06/15/2009 The issue mentioned in the article
was last September, the catalog is available here
. A list of works of the artist is here.

Sample
CD 1, Track 6: Piano Quartet No. 3 in C minor, Op 60 - II Scherzo Allegro

CD Info & Scans (tracklist, cover, booklet, Music Samples , Bonus Pictures), 49 MB
Read the file "Download links.txt" for links to the Ape + Cue + Log Files are in the info pack is also a second preview, and more pictures of Le Sidaner.